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NORTH OF THE BOULEVARD (Theatre Exile): If the Boss wrote plays he’d write...
A few years ago I was at that good used bookstore on 20th Street by the Free Library and saw a crowd gathering on the Parkway: Bruce Springsteen was about...
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TRUE WEST (Theatre Exile): Sibling rivalry and the American dream
Sibling rivalry, conflicting personalities, and antithetical lifestyles regress to anti-social antics, primal rage, and role reversal in TRUE WEST, Sam Shepard’s dark comedy about two adult brothers,...
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THE ADULTS (New Paradise Laboratories): Fringe Review 20
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their...
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THE ADULTS (New Paradise Laboratories): Fringe Review 20.2
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not...
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in...
Tom Stoppard's ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
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What Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
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ADAPT! (Wilma): On the brink of dawn
Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!
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WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review
Relevant themes and ideas rarely seen on an opera stage
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PASSAGE (Wilma): Love and death in Country X
The way to get an audience to ask itself profound questions about a work is not by asking the audience profound questions about the work.
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KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review
There's no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
View ArticleROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet?
What about Shakespeare do we want kids to like?
View ArticleDESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
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